People from all over the world are here to attend the Yoga festival. There is an interesting story I overheard about this festival. This is the 12th year of the festival. IYF is not started by Parmarth Ashram. Originally, this concept came from Uttaranchal Tourism. Yes, a moribund government department thought of Yoga tourism. B K S Iyengar was the first prominent yoga teacher here. He liked the concept and announced to his disciples that if they wish to attend his special pranayam discourse in Pune then they needed to sign IYF for 2 years. That must have got it the required momentum. Even today, Iyengar school sends out their best teachers for the program.
Given this background, it is rather strange to see Head of Parmarth Ashram, Swami Chidanand Sarawati occupying center stage in every satsang, discourse, lecture, etc. He is at the center of the festival. His large photo looks at you from every brochure, poster and banner. Even at the lecture of Swami Dayanand Saraswati, Chidanandji occupied the center stage and the main speaker was made to sit on his right. It is not important that Chidanandji didn’t utter a single world from the stage.
It is strange that almost 90% participants are from outside India – a Yoga instructor in her 30s from California, a 60 years old British woman from Kullu (where she spends most of her time), a large group from Japan (Budha carried meditation also to Japan), a white flowing gown team of Naamdhari Sikhs from Canada, etc. The other significant aspect is the presence of women. About 2/3rd of the attendees are women. It can be attributed to their superior knowledge, intellect and awareness.
I have been greatly impressed with two teachers at IYF – Gurushabad Khalsa and Manouso Manos. Class for Gurushabad khalsa used to start at 4 o’clock in the morning and the class used to be tough. Simple looking exercises but extremely difficult. Other teacher was Manouso. He was brilliant. He had a booming voice and a commanding presence. He would exhort us, chide us and demand from each one of us to put our complete awareness in every asana.
Parmarth Ashram has made decent arrangement for the festival. They have put two large tents outside a 3 story building which houses Yoga halls. Most of the festival is happening here in the lawns and the yoga center. Main ashram is nothing but a overgrown ‘dharamshala’. It is quite pedestrian in its design and facilities. It has series of statutes of Gods, of different myths and avatars. There is a large, almost 20 feet high, Shivji statue opposite ashram on the banks. All statues come from the same school, kinda Raja Ravi Verma type. There is no detailing, no subtlety and no nuance. It is pure puerile stuff. Why our religious places don’t become center for fine art, culture and architecture? Every single artist seeks divinity in her art. Such places can truly become an island of excellence and bring a renaissance. It is possible that most of the gurus of such ashrams are not exposed to aesthetics themselves. Singing out of tune bhajans may be the only exposure they have to art.
We can learn something from Europe here. Church houses biggest treasure trove there. It has inspired great art, architecture and music. We have a very high credibility when it comes to yoga or spirituality. It is like engineering comes naturally to Germans. It will be great if other tourism departments also adopt to this and make a concerted effort to establish India as a spiritual destination.